| T O P I C R E V I E W |
| Prog |
Posted - 13/06/2012 : 18:47:46 Thanks to Lee Haydn of this parish, I now have a rather nifty looking internal bass drum mic mount. It's similar to this Gibraltar one except for there being a big chunk of rubber in its construction for isolation purposes.
http://www.gibraltarhardware.com/pics/parts/models/SCGBDIMM1.jpg
Anyway, what would be a good starting point for mic placement? I'd like a punchy but rounded tone if that makes sense. More DOOPH! than CLICK! or BOOM! |
| 4 L A T E S T R E P L I E S (Newest First) |
| Prog |
Posted - 13/06/2012 : 20:34:48 Useful stuff, Ant. My ears will of course be the guide but it's good to have a starting point. |
| pluk2001 |
Posted - 13/06/2012 : 20:29:03 This .pdf from Shure's website is quite informative on Simon Phillips' mic choice and placement, including a section on his bass drum mic placement...
http://www.shure.com/idc/groups/public/documents/webcontent/pdf_artist_simon_phillips.pdf
and some general advice here...
http://www.shure.com/idc/groups/public/documents/webcontent/us_pro_mic_techniques_drums_ea.pdf
Of course, always let your ear be the guide... 
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| Prog |
Posted - 13/06/2012 : 19:29:31 Thanks.
I use a ported reso if that makes any difference. |
| Tex |
Posted - 13/06/2012 : 18:55:58 Turn the mic more to the wood than the skin centre and back off to around half a foot. |